Tuesday, May 14

Chris Dunn 22678161 Photography and Truth Film R1B Blog Post


Chris Dunn
22678161
Film R1B
5/10/13
Film Blog
            Photography is a ubiquitous component of society.  Beginning in the early 19th century, advances in technology and photography have continually made it more accessible to all people around the globe.  In addition to photography’s omnipresence in society, it has a very strong authority.  Photography is seen as an absolute truth; it is seen as the unerring recording device of the physical world.  In Photography: A Critical Introduction, photography is described as having an “air of being simple, real” and a documentation of the world (Photography: A Critical Introduction 78).  In Camera Lucida, Roland Barthes argues that a “horror” of photography is that people have a “tendency to accept photographs as reflections of the real” (Photography: A Critical Introduction 245).  This is dangerous because when a photograph is altered or doctored, it can lead to a person believing something that is not true.  This photo fakery, or trick photography, has played a large part in the deceptions and myths of the late 20th century.  In some cases, these deceptions are very political, such as photos altered during the Cold War to shift public opinion in a certain way.  In Photo Fakery, Dino Brugioni, founder of the CIA’s National Photographic Interpretation Center, explains how photos, which were seen as the most “powerful and factual way of viewing the world” at the time were altered “to influence opinion on current or sensitive issues” (Photo Fakery 3, 141).  In other cases, trick photos make people believe in myths like UFO’s visiting Earth or the existence of a mysterious creature named Sasquatch and create a new kind of folklore shrouded in mystery.   In recent times, the authenticity of photographs in documentaries and photojournalism has come into question (The Photography Reader 252).  Documentary creators often alter the photos that they use in order to create an effect that uses the audiences’ emotions to get them to think as the documentary intends.  The significance of photography has a lot do with its acceptance as a very important means of communication.  This importance derives from the fact that photography is the most credible of all mediums of communication.  If this credibility is ruined, than the importance of photography in most aspects of society will also fall and the reign of photography in the past 200 years will end.

            This first photo is an example of some of the photographic tricks that are possible today.  Although photo fakery and trickery is not a new development, with new technology it has become a very accessible and easy thing to do.  It is no longer a skill exclusive to photography experts in the media and the government or talented artists; it is now a hobby for many people who enjoy taking and editing photos.  Looking at this photo, it is very obvious that it was captured and edited in a way that can produce this tube-like time-lapse effect.  The man in the image seems to be approaching us in a spiral fashion, producing a cool and mesmerizing effect.  These photos are commonly used a means of artistic expression for the common populace because now anyone with an interest and Internet can figure out how to doctor images in any way they please.  Many edited photos in recent years are changed to produce a visually pleasing or physically impossible images and are not changed to produce a more emotional or political effect, as has been the case with most doctored images in the past.


         During the Vietnam War, public opinion in the United States was strongly against the conflict.  Massive rallies and movements against the war swept the country and were backed by thousands of people.  The North Vietnamese knew this and wanted to sway public opinion in the United States more against the war so that the American government would back out of the conflict.  They did this by taking the photo of General William Westmoreland in Newsweek shown above and putting it in front of an image of a massacre to make the killing of innocent civilians that was occurring in the war at the time look deliberate.  If you look at the background of the altered photo, you can see a gruesome scene where the ground is littered with dead and bloody bodies.  These edited photos sparked outrage in the United States because people thought that the military was killing innocent people on purpose.  This trick photography is just one example of how the Soviet press would manipulate photos and public opinion to help them politically and militarily.  The power of the Soviet press to influence the course of events with false photography was enormous, as can be seen by the amount of public outrage the photo above created in the United States and lead to the withdrawal of troops from Vietnam.

         Most primitive societies had at one time a common legend that describes a large ape-like man that roams around in the wilderness at night.  In the Pacific Northwest of the United States, this legend became hugely popular after a man in 1951 photographed a large footprint that looked like one that would come from Bigfoot, according to the descriptions of the beast in legends.  After the image spread throughout the United States, interest in Sasquatch gained in popularity and curiosity.  People began to believe the myth behind the mysterious creature and eventually people captured pictures, like the one above, of the creature itself.  These pictures of Sasquatch are all blurry or out of focus.  Experts say that the footprint pictures and most of the “sightings” are simply misidentified animals, while others, because they are so blurry, are just too hard to identify.  Nothing can be told for sure because of the blurry nature of these photographs.  With the lack of certainty behind the subject, many people chose to believe in the existence of a creature called Bigfoot.  As a result, many stories, movies, and TV shows have included Bigfoot as a character.  Bigfoot, after this mysterious trick photography, has become such an important part of American folklore that he is a ubiquitously known and included in other parts of the country’s pop culture, as can be seen in the next picture.
       
    Bigfoot is so well-known that he is included in many TV shows, books, stories, and even commercials.  Here Jack Link’s, a company that produces and sells beef jerky, uses Sasquatch in their commercials to promote their product.  In the commercial campers are eating Jack Link’s beef jerky in the forest and as a result gather the courage to “mess with Sasquatch”, or do something amusing to him to bother him and get him angry.  Sasquatch ends up getting angry and hurting one of the campers in a humorous way.  Sasquatch is portrayed as a large brutish creature with basic intelligence and a short temper.  This portrayal of Sasquatch is very consistent with other portrayals of Sasquatch.  This beast-like portrayal is probably attributed to the fact that there is a shroud of mystery surrounding Sasquatch, and when humans are unsure about something they tend to fear it and portray it as evil or bad.  Because of the exposure Sasquatch got from those early blurry and mysterious photographs, the myth grew into an important idol of pop-culture in America.  It is very apparent how photographs can perpetuate hoaxes because of its supreme credibility and trust as a means of communication.  Had it not been for this, Bigfoot would still be a little-known figure in the Pacific Northwest. 

    Another myth that was strengthened by trick photography was the UFO scares in the post World War II era.  Many people have reported seeing unidentified flying objects in the past but it was not until photography became readily available for the public and became easy to do without long exposure times that these accounts could be confirmed or believed.  Many photos displayed disc-shaped floating objects like those in the photo above and the possibility of alien visitors became a real scare and interest around the world.  It became such a fear in the country that the government began collecting photos and storing them in a file called Project Blue Book (Photo Fakery 164).  This file lasted 7 years until the scientists working for the Air Force realized after extensive analysis that almost every UFO in every photo can be attributed to a normal blemish that occurs to photographs because of moisture, film defects, soot, overlapping exposures, etc.  Many people even threw up a plate an photographed it flying through the air and sent it to the Air Force as a UFO submission.  This type of false photography especially threw off the department because it cannot be attributed to any of the previous physical phenomenon that occurs normally to cameras.  The department also cannot know what the intent of the photographer was and therefore cannot simply attribute these photos to pranks people play on the department.  Many of the photos went unexplained but they were all eventually dismissed as either hoaxes or natural occurrences.  These photos, however, had a large impact on the United States.  Like the Sasquatch photos, UFO photos caused aliens and alien spaceships to enter the pages of American folklore.  Many movies were made based on these alien visits and all these aliens came to Earth on ships that look like the UFO’s captured in the photos that were sent to the Air Force.  TV shows, books, comic books, video games, and many other mediums of communication and entertainment soon incorporated the iconic floating discs and the myths behind them into their storylines.  UFO’s had indeed invaded the United States’ pop culture because of trick photography.  Not only were people scared or fascinated by the potential of an alien visit, but the government was researching and preparing for this potential visit.  Because photographs are the ultimate truth, the UFO landing pictures were taken so seriously that the government was allocating some of its money to solving this mystery and being ready for it in case it is true.  The fact that even the government was fooled by false photography shows how powerful photography is.  False photography has also shown that it can heavily influence the course of things as important and significant as politics, by determining where government money is spent and allocated.

    Many trick photographs create an effect that makes it appear that a ghost has appeared in the photo.  Beginning as early as the 1860’s, photographers learned that using double exposures when taking pictures could result in a shadowy negative of the first photo.  This negative resembles a spirit or ghost, and many people believed that photographs had the ability to capture a person’s soul or capture the spirit realm.  This discovery was at first accidental; if a photographer forgot to move their film forward after capturing a photo they would get this spirit-like effect.  But, this trick photography fooled people into thinking ghosts and spirits were real, and some photographers used this extensively in the 19th century for many different reasons.  The first reason was, of course, money.  The belief that the imposed picture was actually the spirit of someone caused people to want pictures of themselves with the spirits of their dead loved ones.  Photographers would pretend to be able to channel spirits and would impose a picture of that loved one on the image of their client.  Many people fell for this trick and a whole market for those who can communicate with the spirit world opened up, employing a lot of photographers and making photography a more lucrative business.  The belief in spirits escalated to such a level that around the turn of the 20th century, people began to gather together and attempt to call the spirit of a recently deceased person.  Many people attended these gatherings, or séances.  Among these people was Abraham Lincoln’s wife, Mary Todd Lincoln, who tried to communicate with her husband at these gatherings after he had been assassinated.  These spirits were also feared greatly.  Many people used double exposures to put spirits into photographs of certain places that they wanted to keep safe, whether it is to keep children safe or to keep their belongings safe from thieves.  The fear of ghosts escalated and continued on well into the 20th and 21st centuries.  Since the late 19th century, the idea that ghosts can be seen through photography has persisted in American folklore and has been used as a premise for a few movies, such as Insidious, which was released in 2010.  The history of ghosts in American legends shows how trick photography can have a lasting impact on people and the pop culture of the country.  More than 100 years later, the idea that ghosts can be seen through photography is still an idea that is relevant and well known that it is used for movies and other entertainment mediums as an interesting story line.  This, in addition to the myths about Sasquatch and UFO’s, shows how fake photography can have a huge impact on not only the pop culture but the actual beliefs and superstitions of the people that see the photograph. 


            Through careful examination of all these photographs and the types of trick photography they represent, it is easy to see how big of an impact false photographs can have on the world.  With effects ranging from changing politics and how a government spends its money to scaring people into buying your photographs and help because they believe in spirits, photo fakery has shown how easily people believe in a photograph and how much the person altering the photo can benefit.  Not only can there be financial benefit, but the government can benefit by shifting public opinion in their favor.  It is easy to underestimate the power of fake photography because it is not apparent when a photograph is a fake.  According to Brad Dorn, president of Printbox, Inc., his computers have the potential to create images that can “defy the best of experts” (Photo Fakery 164).  With new technology making photo fakery easier and more believable, it seems like those altering photos stand to benefit more without fearing getting caught.  The only thing people can do is to be weary when looking at photographs.  The undeniable credibility of photographs that is still lingering in society today after the late 20th century needs to end.  Photographs today are too easily altered and can be very realistic with new technology.  If everyone is aware of how prevalent false photography is, than the fake photographs will stop tricking people and those people who alter photographs will not stand to benefit illegitimately any longer.  

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